麗江市博物(wù)院新館
麗江，這(zhè)座雪(xuě)山庇護下(xià)的(de)城(chéng)市，其山水(shuǐ)、街(jiē)巷、建築、文字、音(yīn)樂(yuè)及宗教極具特色。
設計通(tōng)過對(duì)多(duō)年衛星地圖的(de)研究，找出場(chǎng)地内與麗江城(chéng)市相關聯的(de)水(shuǐ)脈，并以此爲出發點，使得(de)水(shuǐ)脈不被新的(de)建設打斷，大(dà)地的(de)自然機理(lǐ)、場(chǎng)地的(de)記憶也(yě)被收納進博物(wù)館中，新的(de)文明(míng)在此基礎上延續。
建築構成以古老的(de)納西世界觀“中央鎮四方”爲指導。博物(wù)館收藏著(zhe)當地的(de)曆史文化(huà)記憶，這(zhè)種記憶不僅在藏品上，也(yě)反映在建築語彙上。包括折闆的(de)屋面及高(gāo)聳的(de)中央大(dà)廳、房(fáng)子與水(shuǐ)的(de)關系、院落、建築細節甚至東巴文等等。博物(wù)館選用(yòng)石材、木(mù)材和(hé)青瓦等材料都是當地最常用(yòng)的(de)建築材料。
麗江博物(wù)館的(de)建造就是一個(gè)集納當地文明(míng)記憶的(de)過程，通(tōng)過建造事件來(lái)連接過去、現在和(hé)未來(lái)，而其地域性正是其民族自信的(de)來(lái)源。
New Lijiang Museum
Lijiang, a city sheltered by snow-capped mountains, has its distinctive landscapes, streets, architecture, characters, music and religion.
By many years of satellite map research, we find the water context associated with Lijiang city in the site, and this is a starting point so that the water context is not interrupted by new construction, the natural elements of the earth, and the memory of the site are also kept in the museum, and the new civilization continues on this basis.
The architectural composition is guided by the ancient Naxi Philosophy "Center Dominates Four Directions". The museum collects local historical and cultural memories, which are reflected not only in the collection but also in the architectural language, including folded roofs and towering central halls, the relationship between the house and water, courtyards, architectural details and even local Dongba characters. The materials such as stone, wood and tiles are the most commonly used in this area.
The construction of the Lijiang Museum is a process that gathers the memories of local civilizations, connecting the past, present, and future. Its national minority’s confidence is come from its unique regional culture.
